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Prestige & Timeless Value of Liana Gor Art

There’s something to capture beyond eyesight

Internationally recognized, this American painter has established a distinctive artistic voice defined by romantic, graceful figures. Her work resonates with the aura of the Renaissance while offering a refreshingly modern figurative interpretation, making each piece a compelling acquisition for discerning collectors seeking both heritage and innovation. This artist is admired for her signature blend of classical refinement and modern expression. With elegant, romantic figures that recall the grandeur of the Renaissance, yet infused with dynamic contemporary technique, her paintings offer rare, collectible works that bridge tradition and modernity and she is known for creating museum-worthy figurative art that is instantly recognizable. 

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Artists Hub

Welcome to the official Artist Hub of Liana Gor, internationally recognized for her modern figurative paintings that blend timeless elegance with contemporary expression. Explore her signature works, exhibitions, and behind-the-scenes moments — curated for collectors, galleries, and art lovers worldwide.

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Our Value

Imagine a world beyond imagination

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Vision

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Vision

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Mission

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Mission

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Motto

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Motto

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Our History

We mold ourselves for your perfect click

Some people are born knowing who they are and where they are going while others spend their entire lives trying to find out. Yet, some never do.

Liana remembers drawing and painting as a toddler. Liana has been painting at 3 years of age. Her father, a musician and architect, recognized her talent in music and fine art and became her first and most important teacher. At age five, Liana began playing the piano and expressing the feelings of the characters Liana Gor drew. Like many children of the arts, Liana Goroian was accepted at art school at age six. Liana began her formal training and two years later took part in local, countrywide, and international juried exhibitions.

At the age of eight Liana Goroian entered a Russian-Armenian International exhibition “Kids represent the Peaceful World”, receiving a gold medal. In 1969 at nine, Liana received the Grand Prix at the annual International Exhibition in Moscow.

My experiences

1989
Influenced by photographs
First solo show in a prestigious Moscow gallery in 1989. Influenced by photographs left by her great grandmother-a actress in Stanislavsky Theatre- and by her great grandfather-an officer in the Czar’s army-the several paintings generated immediate interest.
1994
United States
In 1994 Liana moved to the United States with her family. In Los Angeles, Liana worked as story board artist, illustrator, textile designer, graphic designer, and apparel designer for different companies, also was a teacher in her own Art Studio.
2000
Manhattan Arts International Magazine
In March 2000 Liana was awarded an Artist Showcase at Manhattan Arts International Magazine and had her artwork featured in the publication.Since 1998 Liana Goroian has participated in group exhibitions organized by Orlando Gallery in Encino, CA, SOHO Art Gallery in Studio City, CA and also her artwork presented at ArtConnectionLA Gallery, CA, Orlando Gallery, CA and Charles Hecht Galleries, CA. In March 2001 her artwork was selected and exhibited at the Art Quest exhibition at Forth Smith Convention Center, in December 2002 at Lankershim Art Gallery, NOHO Arts District, CA, in January 2003 at Don O’Melveny Gallery, West Hollywood, CA and in March 2004 at Pacific Design Center, West Hollywood, CA. Liana had numerous Exhibitions in Italy and Spain.
2000
Women often live
In her paintings, women often live in a mystical world, surrounded by bizarre forms, signs and objects – a world real to them, to be taken seriously. “Mirror of Art Nouveau”, her first collection, was twelve works about love, life and beauty, “My daughter and her dance students were the prototypes for my characters”, says Liana. Designing costumes for these models, Liana drew numerous preliminary sketches. Liana Goroian peers into an inner spiritual world and expresses that on canvas.
2001
Why are my subject’s women?
” Because beauty excites me, I like to see transformations, diversity, the layers covering the vulnerable paleness of a female arm, or tender mat luster of flesh; the skin’s translucence beneath a film of gauze draping a naked body. It might as well be the ultramarine of the night sky and the whiteness of the stars. My brush does not just move about the surface, it carefully penetrates the space of another dimension, going beyond the frontier – which is insurmountable to anyone else. There truly is space and life behind that fragile margin, as in a mirror. Of these space and life forms I express my daily chronicles, of their everyday life and feasts. And – of women who belong there”.

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